[Zombs]

http://www.cjsleez.com/images/picindex.gif

http://www.cjsleez.com/images/cdcover2.jpg

CJ.Sleez.-.Rock.Action(192k)By.eXe.eXe(SharePunk.tk).ace

CJ Sleez - Rock Action


01-CJ_Sleez-Out_Of_Control
02-CJ_Sleez-Hammer_Down
03-CJ_Sleez-Sweet_Release
04-CJ_Sleez-Gutter_Dolls
05-CJ_Sleez-StillBorn
06-CJ_Sleez-Backdoor_Tease
07-CJ_Sleez-Bad_New_Day
08-CJ_Sleez-5-0
09-CJ_Sleez-Lonestar
10-CJ_Sleez-Cool_Rider

http://www.indyrock.es/imagenes/cjsleez22.jpg http://www.indyrock.es/imagenes/cjsleez55.jpg http://www.indyrock.es/imagenes/cjsleez8.jpg

En tiempos de sequía de R´n´R, todos estamos obsesionados en encontrar "the next big thing", y eso es bueno porque en esta búsqueda nos fijamos en artistas que quizás nos pasarían inadvertidos. Ahora que la escena escandinava parece algo agotada, muchos de nosotros hemos puesto nuestra mirada en Canadá, las gestas escénicas de Black Halos o Danko Jones son de sobras conocidas, pues en este contexto se nos presenta el álbum debut de CJ Sleez y su banda de secuaces. Mitad muñeca Barbie, mitad hija bastarda de Axl Rose, esta jovencísima veinteañera enfundada en cuero y medio desnuda, recoge el testigo de poderío escénico de otras ilustres predecesoras, Wendy O. o la mas reciente Texas Terri. Dice estar influenciada desde Eddie Cochran a Guns N´ Roses, pasando por combos garageros como The Sonics, musicalmente se decanta por un punk-rock muy sucio de alto voltaje, sustentado por su personal voz y por una banda correcta, donde destacan los dos guitarras, Stacey T. Rat y Steevi Saint, bajista y cantante de los muy recomendables stoogianos The Sinisters. En canciones como "Sweet Release", "Gutter Dolls" o "Still Born", se aprecia la esencia de esta banda, con ese puñetazo en forma de riff, y con esas letras que refleja la rebeldía contra lo establecido, que debería ser la bandera de la juventud de hoy en día. El Cd tiene una presentación de lujo, con un libreto repleto de unas fotos que dan de lleno en la estética sleaze-glam, repleto de juegos, como crucigramas con el nombre de los temas o uno de vestir a una CJ desnuda. Incluso incluyen un par de diminutos dados en la caja de plástico!!!!. A la espera de su desembarco en los States y en Europa, en mi opinión CJ tiene todos los números de convertirse en la ganadora de esta carrera, y tu, que perdiste el culo tras Texas Terri, no olvides hacerte con este Cd.

http://www.panx.net/punkgirl/photo/carmen.jpg http://www.montrealmirror.com/ARCHIVES/2001/062101/17.jpg


In the days of drought of R´n´R, all we are obsessed in finding "the next big thing", and that is good because to this search we paid attention to artists who to us would perhaps happen inadvertent. Now that the Scandinavian scene seems something exhausted, many of us we have put our glance in Canada, you develop them scenic of Black Halos or Danko Jones is of known surpluses, because in this context the album appears to us debut of CJ Sleez and their band of partisans. Half Barbie wrist, half bastard daughter of Axl Rose, this jovencísima twentyish contained in leather and naked means, gathers the witness of scenic power of other illustrious predecesoras, Wendy Or or but recent Texas Terri. It says to be influenced from Eddie Cochran to Guns N´ Roses, happening through garageros stands for casks like The Sonics, musically shows preference for a very dirty punk-rock of high voltage, sustained by his personal voice and a correct band, where they both emphasize guitars, Stacey T. Rat and Steevi Saint, bear and singer of the very recommendable stoogianos The Sinisters. In songs like "Sweet Release", to "Gutter Dolls" or "Still Born", the essence of this band is appraised, with that puñetazo in form of riff, and with those letters that the revolt against the established thing reflects, that would have to be the flag of the youth of nowadays. The CD has a presentation of luxury, with a libreto filled with photos that they give completely in aesthetic sleaze-glam, filled with games, as crucigramas with the name of subjects or one to dress to a CJ undresses. They even include a pair of tiny dices in the plastic box!!!!. To the delay of its disembarkation in the States and Europe, in my opinion CJ it has all the numbers to become the winner of this race, and your, that you lost the ass after Texas Terri, you do not forget hacerte with this CD.

http://www.cjsleez.com

http://www.cjsleez.com/images/picchair.jpg http://www.cjsleez.com/images/pic004.jpg

[Zombs]

http://www.emulespana.net/~colaboradores/zombs/front/OiStrs.JPG

Oi!Strs - Too Oi! - 1998,

Oi!Strs.-.Too.Oi!(192k)By.eXe.eXe(SharePunk.tk).ace

01 The Oi!strs
02 Im A Skinhead
03 Freshcut Blues
04 Scooter Boys
05 King of Rudeness
06 Im Proud
07 My Bird
08 A Song About Texas
09 Time To Pay
10 Its Your Turn
11 Spirit of 69
12 Freedom
13 Oi! To The Drinkin Boys
14 Spit In Your Eye
15 Bad Moon


These four burly, boots-n-braces boys from Austin started a few years back, broke up, then came back together for this release of football-chant anthems. They bring a sound that harkens back to Ye Olden Days of bands like Sham 69, the Cockney Rejects, the Destructors, and the 4Skins, replete with lyrics about drinking, fighting, and being a skinhead. Most of the songs have a by-the-numbers approach, but the notable exceptions are "A Song About Texas," with conjunto accordion and the second half of the lyrics en Español, and ska-style rhythms on "King of Rudeness" and "Oi! to the Drinkin Boys." There's also a cover of local bootboys the Contradicks' anti-racist rant, "It's Your Turn." The production is crisp, with a beefy guitar sound, kerosene-throat vocals, and unison choruses. Just when you thought that stuff like this had fallen by the wayside, bands like the Oi!strs pick up the ball and kick it downfield again. Pour yourself a Guinness, close your eyes, and you can almost imagine it's Britain

We were brought together in the local skinhead scene by our shared love of Oi and our need for good music at our house parties. Twelve Pack Bob (Drums), Ethan "Ham Hoc" (Guitar), and Puddin' (Vocals) started the band in mid 1995 with the notion that they would play at a few house parties and maybe a few local shows and that would be it. They auditioned a few bassists to no avail. They asked friend, musician and fellow skinhead MC Truth for help in finding the bass player they needed. Truth found Brian "Tuna" Can. Brian was the last cog in the wheel. The band was complete. Since then, it has been show after show. Barring a six month period of total chaos, The Oi!strs have been playing continuously for four years, countless shows and many miles.

http://www.austinchronicle.com/issues/annual/musicreg/99/cgi-bin/images/507.jpeg

[Zombs]

http://hottopic.com/Assets/product_images/lg/260395_lg.jpg

V A - "This is your Establishment" - Lorelei Records - March 2004

V.A.-.This.is.your.Establishment(192k)Punk-Hardcore.Compilation.-.By.eXe.eXe(SharePunk.tk).ace

TRACK LISTING
1. Dynamite Boy (Man Of The Year)
2. Places To Park (Set A Date)
3. Yellowcard (Salesman)
4. Autopilot Off (Generator)
5. Day Two (Valentines Day)
6. Over It (Crush)
7. Kissing Chaos (Last Day's Of The Suicide Kid)
8. Good Riddance (My War)
9. Valve Drive (5-0 Grind)
10. Spitalfield (I Love The Way She Said LA)
11. Dont Look Down (Wake Me)
12. Start (th3 1234)
13. Eleventeen (Black Rose)
14. Stole Your Woman (Lights Out)
15. Schatzi (Sucked Into Something)
16. Slick Shoes (Darko)
17. A Walk For Us All (Save It For The Enemy)
18. A Small Victory (The Pieces We Keep)
19. Near Miss (Start Over)
20. I Want Out (Pull Up A Chair)
21. Rufio (Science Fiction)
22. Spark Of Life (Counting Seconds)
23. Amazing Transparent Man (Dreamers Lament)
24. Staring Back (Me Five Years From Now, Somewhere Else)
25. Glasseater (Everything Is Beautiful When You Dont Look Down)



a benefit compilation for the CCR (Center for Constitutional Rights), a non-profit legal and educational organization dedicated to protecting and advancing the rights guaranteed by the U.S. Constitution and the Universal Declaration of Human Rights.

This compilation is boasting 25 blazing tracks from some of todays greatest up and coming artists. T.I.Y.E. is compiled of mainly unreleased and rare tracks.

This CD is meant to let young people know that there is an organization out there (CCR) that uses the law the way is meant to be used, to protect the rights of every single body regardless of race, sex, or class.
--------------------------

This is Your Establishment isn’t the typical themed CD compilation with similar artist, singing similar melodies that almost seem to run together as one, long track. Instead, This is Your Establishment is a diverse assortment of bands seemingly spanning the entire punk genre as we know it. In fact it seems that every sub-genre (from pop-punk to metal-influenced tracks) is represented here on this album. Bound to please even the most biased listeners with a least a few of the 25 cuts, This is Your Establishment features everyone from the now mainstream Yellowcard and Rufio to lesser known, up-and-coming bands who offered demo’s to the mix, such as Places to Park and Schatzi.

Highlights on the record include the slick, sugary, “I Love the Way She Said L.A.” from Spitalfield and “Valentines Day” by Day Two with it’s mixture of screaming and soaring vocals. Other bonuses from This is Your Establishment are the previously unreleased tracks from such bands as Dynamite Boy, Near Miss and Kissing Chaos who’s song, “Last Days of the Suicide Kid,” should not be overlooked.

The beauty of the compilation is that in there is a huge variety, in every aspect of the music, including a wide range of lyrical content and differing production quality. This goes however, to create an truly unique sounding album that guarantees each and every song be different from the previous one, bringing individuality to the compilation.

In addition to providing the listener with new tracks and rare material, the album serves a second purpose as a benefit record for the Center for Constitutional Rights, a nonprofit legal organization that seeks to promote and advance the rights promised by the U.S. Constitution. This makes This is your Establishment a great way to hear new bands and new material as well as give back to a worthy cause.

- Rachel Wann

[Zombs]

http://www.friendssuck.de/pics/media/gallery/fettklang_01.jpg

Hi Dudes
Do you want to now how a great Skatepunk-Hardcore band from erfurt sounds?
The name from the band and the newest album----> FRIENDS SUCK-MAKING MONEY

http://www.friendssuck.de/pics/enter_b1_over.gif

http://www.friendssuck.de/pics/media/discography/making_money.jpg

so check it out!

Friends.Suck-Making.Money(punkrock.like.nofx.good.riddance).rar

FRIENDS SUCK-MAKING MONEY:
1.FROM TOP TO TOE
2.SIMPLE LESSON
3.FUCKING SCARED
4.LAST DAYS INN
5.OI POLLOI
6.BOX OF BEER
7.RIDING DAY
8.NEVER GIVE UP
9.THE TRUTH ABOUT
10.BEAUTIFUL LIVING
11.SUMMER OUT THERE
12.WHAT WE LIKE(BY THE WAY)

WEBSITE:http://www.friendssuck.de

http://www.friendssuck.de/pics/media/gallery/webpic_04.jpg

[ToNiToWeR]

Pongo este link para ayudar al que buscaba antes videos de Eskorbuto, es un rar con unos cuantos videos: Eskorbuto - Recopilacion videos (cuidado, enterrado vivo...)
:bye1:

[Zombs]

http://www.steelcagerecords.com/images/link%20images/resistoleros.jpg

http://www.steelcagerecords.com/images/large%20minis/lg030.jpg

The.Resistoleros.-.Rock.'n'.Roll.Napalm(128k)By.eXe.eXe(SharePunk.tk).ace

The Resistoleros - Rock ’N’ Roll Napalm - Steel Cage Records 2003

Desperate Times
I’ll Bleed For You
Resistoleros
Rock ‘N’ Roll Napalm
9/11
Break Mine Off
Bad Weather
Rights
Juice Boy
Pin The Crime
Assault & Battery
You Lose, I Win
Caught With Your Panties Down

http://www.emulespana.net/~colaboradores/zombs/front/samandcrowd0079.jpg

Rock ’N’ Roll Napalm, the debut album from The Resistoleros, explodes out of the gate with dueling guitars ablazin'. Led by former Fang frontman Sammytown, the band rips through 13 original songs heavily steeped in Dead Boys/Stooges swagger with attitude to spare and more than enough chops to back it up.

The Resistoleros "Rock 'N' Roll Napalm (Steel Cage)
Kick Ass! The Resistoleros crank it out low-down, mean, and nasty like a bunch of filthy, sleaze-lovin' dregs of society flyin' high on booze, smack, and cheap, gutter crawlin' sex appeal. Theirs is a sordid, unsavory sound of pure, undiluted Rock n' Roll at it's most primal, reckless, and heinous with a frenzied, Bowery-style blitz and plenty of ballsy , gut-slashing attitude. The vocals are defiantly delivered with a gruff and belligerent air of devil-may-care surliness. The smokin', high-octane guitar leads simmer in a thick and heavy bombardment of swaggering, drug-addled riffs ala the Dead Boys, Electric Frankenstein, and Dead Man's Choir. The bass and drums roar like a caterwauling graffiti-covered subway train violently rumbling through the seedy, rat-infested underbelly of New York City. No doubt about it, The Resistoleros rock it hard, play it dirty, and shake it loose!! If Sid Vicious, Johnny Thunders, and Stiv Bators were alive today, they'd be feverishly shootin' up a vein-blistering supply of grade "A" street heroin to the decadent, thundering noise destruction of Rock 'N' Roll Napalm. (cd)-Moser(UNDER THE VOLCANO #77 New York) http://underthevolcano.net

ROCK AND ROLL NAPALM - The Resistoleros (Steel Cage)
Do we really need another band whose liner notes spruik that they want to turn the clock back to "relive the screaming guitars of the Dead Boys, to see the drunks and the junkies before the habits came home"? Or whose stated ambition is to "drink like Sid, look like Billy and fuck like Iggy"? The answer is yes, and in the great Ken Shimamoto's (paraphrased) words, "if you don't have dreams you have nightmares". Live fast, die young cliches aside, the Resistoleros want to BE your rock and roll nightmare - and that in itself is an admirable sentiment.

Don't know much about this Bay Area band except that singer Sammytown was in a well-regarded/reviled Berkley outfit called Fang and the Resistoleros are on Steel Cage, the estimable Philadelphia label that gives oxygen to all manner of cool bands but has a leaning towards Scum Rock. Named after a brand of glue, The Resistoleros have streetpunk blood in their veins but seem to draw more on the tuneage of bands like the Humpers, Electric Frankenstein or the early Clash rather than out-and-out sonic vandalism.

There's a dose of U.K. football terrace chants in some of the choruses ("Resistoleros" and the catchy "Desperate Times") and an accomplished edge to the guitarwork of Alby Wasted and Jonny Manak that puts them a chord ahead of the pack. More like the (Aussie) Hitmen or the (New York) Dictators than your average gutterpunks but, hey, even the Dead Boys had a degree of musicality to them. Any band that has a song "Caught With Your Panties Down" certainly won't object to that last comparison.

Engine rooms are often overlooked which is a crime because there might be rock but there sure ain't any roll wiithout a good pairing anchoring it down. They don't come much better than Brian Shaffer on bass and Ike Eischener on drums.

There's a dearth of 9/11 songs in the Real Rock category (you're not really going to count Broooce are you?) so "9/11" fills a gap with a seeming pro-U.S. sentiment, which is a rarity. Not that you should count these guys in the politcal rock camp - these are songs about angst and grit, not politico shit. If there's a criticism it's that a few of the songs merge into each other, but that's down to the relentless nature of the guitar attack more than anything. There are, however, enough high points to justify giving this more than a passing listen. (I-Bar Sydney, Australia) http://www.i94bar.com/

Read more in http://resistoleros.tripod.com/theresistol...napalm/id5.html


http://resistoleros.tripod.com/
http://www.emulespana.net/~colaboradores/zombs/front/ike0077.jpg

[Zombs]

http://www.artistdirect.com/Images/Sources/AMGCOVERS/music/cover200/drg200/g238/g23884utdmf.jpg

External.Menace.-.The.Process.Of.Elimination(192k)By.eXe.eXe(SharePunk.tk).ace

External Menace - The Process Of Elimination - Dr. Strange Records - 02/17/2004

01 - this_country
02 - standin_in_the_u.k.
03 - these_pricks_are_wrong
04 - watch_you_drown
05 - society
06 - rude_awakening
07 - dont_conform
08 - bullet_of_persuasion
09 - the_process_of_elimination
10 - in_this_time
11 - killin_me_asylum
12 - we_wanna_know
13 - seize_the_day
14 - dont_call_it_livin
15 - sort_it_out
16 - naked_prey_ep_97
17 - shocktrooper_ep_97
18 - seize_the_day_ep_97
19 - rude_awakening_ep_97
20 - no_mean_feat_ep_97
21 - id_rather_be_dead_ep_98
22 - detonate_your_hate_ep_98

A little-known Glasgow-based Oi band that originally formed in
1979 and split up after only a few years, External Menace
regrouped in the mid-'90s with new lead singer Ian Welsh
(replacing original member Wullie Hammill, who had died in the
late '80s), original guitarist John Sneddon, and a revolving door
of rhythm sections. The new lineup released several EPs, split
singles, and compilation tracks, finally gathering the lot in
2004's The Process of Elimination. Welsh and Sneddon play with the
fire of kids half their age, and most of the album sounds like it
could have been recorded in 1981. The songs, however, are a pretty
hit-or-miss lot, with far too many songs that sound like your
basic standard-issue, three-chord speed punk and not enough
inspiring lyrics to make up for the sameiness of the tunes. The
Process of Elimination isn't bad, exactly, but it's a whole lot of
nothing special, the sort of album that only devoted Oi and street
punk fans can really get behind.

------------------------------------------
An old U.K. band returns, which is not unusual for the last year or so. I don't think many bands nowadays can pull off the early 80's U.K. punk sound and make it sound good, except for a few, and this is one of them. And they even throw in a cool ska-ish riff once in a while! Great unique stuff.

Since their appearance on the legendary No Future compilation in the early '80s, this UK band have been producing great punk along the lines of GBH, Stiff Little Fingers, Varukers and The Threats.

---------------------------------------------------------------------------

The first serious line up got together in summer 79. Although I had been jammin with a few people, writing songs etc for a few years before that, but couldn't get a permanent singer or drummer. I met Willie and Rab in 79 and we got things together pretty quick after that. Played over 20 gigs and made our first demo before the year was out.

Current line up is Mark (drums), an old mate from the early 80's in Glasgow. Jonah (bass) who I met a few years ago when I moved to Manc. He's played in various bands over the years as has Mark. Andy (vocals). I also met Andy when I was touring a couple of years ago. This is his first band and he's only done 3 gigs so far. He's doing ok, but will have to watch it vocal wise. Just learn to pace himself cos he tends to put too much in early on at gigs and loses his voice and myself on guitar.

http://members.aol.com/mailraf/extnb.JPG

[Zombs]

http://www.deadweaps.com/images/logo_yello2.gif

http://www.sleazegrinder.com/images/newreviews_images/5-3DeadlyWeapons.jpg

Deadly Weapons - Get Right In There(VBR)By eXe.eXe(SharePunk.tk).ace

Deadly Weapons - Get Right In There (Jonny Cat Records) 4/5/04

01 - Cant Take it
02 - Too Much
03 - All Talk
04 - Tears Me Up
05 - Im A Sicko
06 - Switchblade
07 - Deadly Weapons Theme
08 - Break Up
09 - Having Fun
10 - Depressing Ramones
11 - Sex and Drugs
12 - No Respect
13 - What A Way to Die


http://www.blemby.com/gallery/images/deadly-2.JPG

(REVIEW BY COUNT VON BOXMUNCHER)

When I envision the movie they’ll someday make about my life, I imagine the Deadly Weapons on the soundtrack. It’s the final scene. I’ve just killed my asshole boss with a tire iron (Don’t worry, he deserved it). I’ve got his body stashed in the trunk of my car. I’m gunning it down the interstate en route to Mexico. I’ve got the top down. I start my CD player and crank up the volume. Then you hear “I’m A Sicko” blasting forth in all its crude, obnoxious, fuck-off glory. I sing along and pump my fist in the air. The credits roll.....

I was sitting around plotting my boss’s murder the other day when it occurred to me that there aren’t nearly enough hate-spewing punk bands fronted by majorly-fuckable fat chicks. So the sudden arrival of this disc was rather fortuitous. Led by sassy Bobbyteens shouter Tina Lucchesi, San Fran’s Deadly Weapons recall a time when tasteless, offensive, intentionally-stupid punk rock delighted unruly teens and horrified prudish parents. The 13-song Get Right In There clocks in at a mere 18.5 minutes, dispensing with the bullshit and getting right down to the business of assaulting your eardrums. This is REAL punk rock, brother: angry, nasty music for anti-social miscreants who exhibit a pronounced abhorrence for the entire human race. BobbyTina can scream with the best of 'em, and she’s ably backed by a band that possesses the efficiently destructive power of a steamroller. Embittered reprobates who cringe every time the word “punk” is used to describe the sissified teenpop drivel brought forth by the likes of Good Charlotte will surely approve of the Deadly Weapons’ rancorous ass-kicker thrash (oft-compared to the “old school” punk/hardcore of VKTMS and Sin 34 but spiritually more akin to the tender feelgood hits of GG Allin).

Yesterday, I played Get Right In There for six randomly-selected local punk rocker types. And two of ’em actually said the album is better than anal sex. Only one guy didn’t give the disc the thumbs-up....But he likes Crass, so he doesn’t count.

---Count Von Boxmuncher

http://www.deadweaps.com
http://www.deadweaps.com/bandshots/band2.jpg

[Caudimordax]

The Birras

Contra el mosqueo

http://www.terra.es/personal6/thebirras/mosqueog.jpg

El CD. Es el 1er disco del grupo. Publicado en Julio del 99, retirado al mes siguiente por la censura de su portada y reeditado en Octubre del mismo año tras el cambio de la misma. Son 55 minutos de rock-cervecero, repartidos en 14 temas que son el mejor antídoto contra eso, contra el mosqueo. Los temas son:

* Esta noche
* Ayúdale
* Fumo y bebo
* La tasca
* Pin-Pon
* Los toros
* Sin complicaciones
* Tomás
* Curro
* To’ se sabe
* Como siempre
* Bacalao
* Rexona
* Popurrí

http://www.terra.es/personal6/thebirras/fotos/bilborock2.jpg

The.Birras.-.Contra.el.Mosqueo.(www.biturbo.org).ace


The Birras

[Zombs]

http://www.redalert1.co.uk/1.jpg

Red Alert

The group was formed in Sunderland in the North East of England around May 1979. The original line up was Steve ' Cast Iron' Smith (vocals), Tony Van Frater (Guitar), Gaz Stuart (bass and Dona (drums). After a couple of months of rehearsals we played our first gig at a carnival in Sunderland. We did a mixed set of self penned songs and a couple of Clash and UK Subs songs. We began to play at youth clubs in and around Sunderland on a regular basis. Around this time we recorded our first demo tape. The recording turned out so well that we released it as out first record. It was a four track EP entitled 'Third And Final' and as it was self financed we could only afford to press 250 copies, which we sold outside record shops and at gigs. After the release of this record Mitch replaced Dona on drums. We continued to gig in the North East of England and recorded the 'In Britain' demo. After this we recorded two tracks for the 'Carry On Oi!' album. We recorded 'SPG' and 'We've Got The Power', but only SPG was used. Then on the advise of Gary Bushell we sent the first EP and the two demos to NO Future records and within a week we had signed out first recording contract.

Over the next two years between 1981-83 we released five separate records. These were; -

- In Britain Ep (3 tracks)
- Take No Prisoners EP (3 tracks)
- We've Got The Power LP
- City Invasion (single)
- There's A Guitar Burning 12 inch EP (6 tracks)

Over this period we began touring all around England (Manchester, Leeds, London etc). There was also a steady stream of appearances on compilation albums.

After the 'Guitar Burning' EP Nobby left the band. At the same time our contract with No Future ended. We recruited a new drummer named Matty Forster and recorded some new material with the view of getting another record deal. It was not long after this, that things didn't feel right within the band. Due to family commitments and a basic dissillusionment with the Oi! and Punk scene that we felt was dying off, we decided to split the band.

Over the next couple of years that followed the 1985 split we all went our separate ways. Steve left the music scene altogether and spent most of his time drinking and playing pool. Tony began touring Europe as a second guitarist with Red London. Matty joined Red London also. Gaz went into a band which played old 70's hits at workmen clubs. It wasn't until 1989 that we began regular contact with each other again. A new music club called 'The Kazbah' opened in Sunderland and we just happened to bump into each other every now and then. It was during a conversation with the club's promoter one night that the idea of a comeback gig was first mentioned. We agreed to do it and began to rehearse together for the first time in four years. It was early 1990 that we did the gig with Red London ad Attila The Stockbroker. A full house saw a great gig which inspired us to reform on a permanent basis. Steve, Tony and Matty were happy with this but Gaz had doubts so we replaced him with Tony's cousin Tom Spencer.

In August 1990 we did our first European tour. With Red London we did gigs in France and Switzerland. This went well and led to more tours in Europe. After a couple of these tours Tom left the band and was replaced by Gaz Stoker of Red London. We also began to use a number of different drummers, one of which was Keith 'Stix' Warrington of Angelic Upstarts and Cockney Rejects fame. In 1992 we recorded the 'Blood, Sweat 'N' Beers' album for German label 'Nightmare Records'. A year later we recorded the 'Beyond The Cut' album which was a joint release by Nightmare and Knockout Records. During these periods we were touring in many parts of Europe including Belgium, Spain and Germany as well as the other countries we had already played. In 1994 we had a busy and eventful year which began with a lengthy German tour. For this tour Matty Forster's brother John was on drums. The following month, May, we did our first gigs in the USA. For this tour we took Lainey the drummer of Leatherface as John was unavailable. WE played a few gigs on the East coast including New York and New Jersey. We also did a recording session in Long Island which was released as a split album with the Templars entitled Super Yobs. When we returned we recorded the Street Survivors / Drinkin' With Red Alert double 7" EPs. In August of 1994 our current drummer Ian did his first tour with us, a three week tour in Belgium, Germany, Switzerland and Austria.

In 1995-96 we recorded the 'Breakin' All The Rules' album for Dojo Records. Gaz Stoker had left the band so we recruited our original bassist Gaz Stuart just to play on the album. Shortly after the recording Lainey rejoined the band but this time on bass. With this lineup of Steve, Tony, Ian and Lainey we began touring other countries such as Italy and Canada as well as the countries we previously played. This is still the lineup now. In 1998 we recorded our first album with this lineup, entitled 'Wearside' for PlasticHead Records. This was released in 1999 at the same time as 'Red Alert- The Rarities' which was twenty tracks previously unreleased, this was for Captain Oi! Records.

Over the last few years there have been many compilation and collection albums of Red Alert as well as a handful of singles on various labels. In 1999 we toured Italy and Spain and recorded some new songs which feature Charlie Harper sharing the vocals on one track with Steve. This will be released in the future. At the time of writing we are busy working on new material and organising future tours.

http://www.redalert1.co.uk/b.jpg

Discography.

Singles and EPs (7"):
Third And Final Ep (Guardian Records) 1980
In Britain EP (No Future Records) 1982
Take No Prisoners EP(No Future Records) 1982
City Invasion (single) (No Future Records) 1983
We've Got The Power EP Live In Mondreagon (Capita Swing Records) 1992
Border Guards EP (Combat Rock Records) 1994
- this was a re-release of the 'Third & Final' EP. It is the same recording with a different title
Drinkin' With Red Alert / Street Survivors (double) EP (Nightmare Records / Knockout Records) 1994
Visca El Barca (single) (Plastic Disk Records) 1996

12" EP
There's A Guitar Burning EP (No Future Records) 1983

LPs (Vinyl)
We've Got The Power (No Future Records) 1983
Blood, Sweat 'N' Beers (Nightmare Records) 1992
Beyond The Cut (Nightmare Records / Knockout Records) 1993

CDs (Albums)
Blood, Sweat 'N' Beers (Nightmare Records) 1992
We've Got The Power and bonus tracks (Captain Oi! Records) 1992
Drinkin' With Red Alert / Street Survivors and Beyond The Cut (Nightmare Records / Knockout Records) 1994
Red Alert Oi Singles Collection (Captain Oi! Records) 1995
Breakin' All The Rules (Dojo Records) 1996
Rebels In Society (Get Back Records) 1997
Red Alert (The Rarities) (Captain Oi! Records) 1999
Wearside (Plastic Head Records) 1999
Best Of (Captain Oi! Records) 2000

Compilation Albums on Vinyl and CD
Compilation on NEI (Guardian Records) 1981
Punk And Disorderly (Abstract Records) 1981
Carry On Oi! (Secret Records) 1981
Kid On The Streets (Bird Records) 1993
Super Yobs (split with the Templars) (Vulture Records) 1994
LA Compilation (Combat Rock Records) 1995
Knock Out In The 1st Round (Knockout Records) 1995
Oi! The Rarities Vol 1 (Captain Oi! Records) 1995
No Future Collection Vol 2 (Anagram Records) 1995
Oi! Against Racism (Havin' A Laugh Records) 1996
War is Insanity (Knockout / Banda Bonnot Records) 1996
On The Streets (We Bite Records) 1997
We Are The Firm (Cockney Rejects tribute) (1,2,3,4 Records) 1998
We Are The People (Angelic Upstarts tribute) (Knockout Records) 1998
Voice Of A New Generation (Blitz tribute) (Plastichead Records) 1999

Red Alert have appeared on many more compilations but this is just some of them


http://www.redalert1.co.uk/cd7.jpg

Red.Alert.-.Blood.Sweat.and.Beer(128k)By.eXe.eXe(SharePunk.tk).ace

Blood Sweat and Beer

01 - Dreams From The Ghettos
02 - Back Down The Road
03 - 24 Hours In The City
04 - Holdin' All The Aces
05 - One Mans' Resistance
06 - All Her Own Way
07 - Riding The Storm
08 - Still Burning
09 - Kill Or Be Killed
10 - Across The Lake
11 - Backs To The Wall
12 - Blood, Sweat 'n' Beers


http://www.redalert1.co.uk/cd4.jpg

Red.Alert.-.Drinkin.With.Red.Alert(128k)By.eXe.eXe(SharePunk.tk).ace

Drinkin With Red Alert

01 - Long Night In Long Island
02 - Facing The Truth
03 - Together We'll Fight
04 - Cabin Fever
05 - The Beginning Of The End
06 - The Iron Man
07 - East Side Of Town
08 - One Flag
09 - The Calling
10 - Tomorrows Girls
11 - Degeneration pts. 1. & 2.
12 - One Flag
13 - Take No Prisoners
14 - They Came In Force
15 - There's A Guitar Burning
16 - In Britain
17 - It's Me Boys
18 - S.P.G.
19 - We've Got The Power

http://www.redalert1.co.uk/Home~1.htm
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[Zombs]

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http://monsterzerodesign.homestead.com/files/BKBandpic.jpg

Blitzkid started in 1997 and at that time, the band consisted of TB Monstrosity on guitars, vokills, and bass, and Wolfgang Christopher on drums. After recording a 10 song demo just for fun titled Songs For the Aesthetically Challenged the twosome enlisted the help of Dr. Stuart Evilstein on bass. Shortly after, Wolfgang left the band and Evilstein picked up the skinbashing duties. By the fall of 1998, the band was a trio once again with the help of longtime friend Argyle Goolsby handling the bass duties. Songwriting, rehearsing, and gigs followed, and in May of 1999, they recorded the 7-song Revisited EP. This particular release showcased a more hookladen "horror rock" approach that the band had already hinted at. The recording also showcased some of the band's most popular material to date in the songs Nadine, the original recording of Slaugher At the Sock Hop, and Hate You Better.


By the winter of 1999, Blitzkid entered Lively Sound Studios in Lewisburg, WV to record the 13 song full length Terrifying Tales album. At that time, the band had become a full blown horror punk/metal band taking cues from a variety of influences such as The Misfits, The Ramones, Slayer, Type O Negative, Samhain, The Cramps, Sisters of Mercy, and Bauhaus just to name a few. Extensive gigs soon followed in their hometown as well as North Carolina, Florida, Tennessee, and Kentucky. Response to the album was good and while supporting the album Blitzkid shared the stage with the likes of The Huntingtons, Newport Gestappo, Slingshot, The Ballistics, This Machine, Tempal, Bonedriven, and The Revenants among others. Live show often consists of the band members painted up like various undead things with tons of fake blood and some horror movie props. It's a fast paced, energetic and intense affair and the band has a very diverse audience of hardcore/punk/metal/and goth fans.


After longtime drummer and good friend Dr. Stuart Evilstein left the band in May 2001, (to work with the industrial goth band ARBUS) they found Billy Bones in Saltville, VA to fill the vacant spot. Having recently played shows all over the east coast with heavies like The Dead Kings, Smackin' Isiah, Mister Monster, The Independents, and Psycho Charger, the newly revamped creeprock trio quickly began work at Real 2 Reel studios in Blacksburg, VA in the summer of 2001 with the talented knob twiddler Rick Kranjak (who has produced albums for such local Virginia acts as This Machine and Simple Like You) as producer on the 12 track Let Flowers Die album. This new slab of music ranges in influences from Nine Pound Hammer, Slayer, Anthrax, Danzig, Bad Religion, The Misfits, Samhain, and The Ramones respectively. Guitarist/vokillist TB Monstrosity says "We didn't wanna make a sequel to Terrifying Tales, cause everyone was labelling us as a Misfits rip off band, not to mention makin' the same album over and over gets boring. Any band that respects itself and does what it does simply for the love of doing it will tell you that. We made a conscious effort with the new stuff not to pigeonhole ourselves. You've got everything from pop,punk, metallic sounding stuff tuned to drop D, to rockabilly, goth and a little bit of doo wop thrown in all on there, so we think that tag will no longer follow us as heavily as it did with our last couple of albums. So if you want the same old themes and a Misfits sounding band, I suggest you look elsewhere this time around. There are passages of piano, a Hammond organ and more bleak, darker sounding things on this record too. We've definitely proven ourselves as worthy of a listen on our OWN merits with this new album and I hope everyone that liked the last two releases will dig this one just as well if not better and we'll convert a few more fans along the way and increase our visibility!" Let Flowers Die was unleashed upon unsuspecting fiends December 29th, 2001.

http://www.blitzkid.net/pics/newgoolsby.jpg

In 2002, Blitzkid found a record label to call home in Denver, CO's @ntidote Records. The label itself is handling the split 7" release with Mister Monster, the newest release entitled Trace of a Stranger, as well as a few choice re-issues from the Blitzkid DIY back-catalog. For Trace of A Stranger, Blitzkid returned to Real To Reel in Blacksburg, VA once again with Rick Kranjak handling the production and the release should see the light of day sometime between Spring and Summer of 2003. (courtesy of Blitzkid.net)
Terrifying Tales
Websites:
Official Blitzkid Website - A new version of their old website as it's still going through growing pains and has much to add but will give you all the info and stuff you need to know about the band.
Line-Up:
T.B. MONSTROSITY - Guitar and Vokills
ARGYLE GOOLSBY - Bass and Vocals
BILLY BONES - Drums

http://www.blitzkid.net/

http://www.blitzkid.net/pics/newtb.jpg


http://monsterzerodesign.homestead.com/files/BkTerrofyingtales.jpg

Blitzkid.-.Terrifying.Tales(192k+covers)By.eXe.eXe(SharePunk.tk).ace

Blitzkid - Terrifying Tales - Released July 1, 2000

Invoke the Beast / Attack of the Ghoulies
The Hills Have Eyes
Pretty In A Casket
My Dying Bride
Salem's Ghost
En Infinitus Sleepus (Lullaby)
The Howling
My Bloody Valentine
Diabolos Rising
Evil Hand
Slayera
The Creature Walks Among Us
Teenage Necrophilian Love



http://monsterzerodesign.homestead.com/files/BkLetflowersdie.jpg

Blitzkid.-.Let.Flowers.Die(192k)By.eXe.eXe(SharePunk.tk).ace

Blitzkid - Let Flowers Die - Released December 29, 2001

Nosferatu
Candyman
Hellraiser
These Walls
The Pumpkinpatch Murders
Reanimated
The Fog
Dying Day
Among The Dead
Myers (October 31)
Motel Hell
Motorized Homocide

http://www.blitzkid.net/pics_20031031/20031031_01.jpg

[Zombs]

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Riverboat.Gamblers.-.Something.to.Crow.About(256k)By.eXe.eXe(SharePunk.tk).ace

Riverboat Gamblers - Something To Crow About - 2003, Gearhead Records

01 - let's eat
02 - what's what
03 - rattle me bones
04 - hey! hey! hey!
05 - save you
06 - sparks and shots
07 - ice water
08 - ooh yeah
09 - dead from the neck up
10 - catch your eye
11 - cut-cut-cut-cut
12 - last to know
13 - lottie mae

http://www.blemby.com/gallery/images/riverboat-4.JPG


Como a su paisano Bush, a los de Texas les va el ataque frontal directo cosa mala, la invasión y el trallazo sin concesiones, sin preguntas. Con la misma prisa que al colega de Ansar, RIVERBOAT GAMBLERS se meriendan 16 mísiles a quemarropa en menos de media hora que dejan a tu cadena humeante cual ministerio iraquí, blandiendo la bandera blanca y rogando clemencia. Entre el hardcore y el punk o la vena más dura para el aficionado Rock, el segundo disco del quinteto se antoja ni mejor ni peor que hypes tales como los Hives, pudiendo ser ellos y no los suecos los que copen radio fórmulas y giren all-around-the-world. A la cuarta escucha te lo han dicho todo. Con una intro-canción vista y no vista “Let´s Eat”, dan paso a una sucesión de guitarrazos a la espera del estribillo, que lo clavan en “Ice Water” o “Cut Cut Cut”, reminiscencias del hardcore melódico de mis tiernos 16 años como “Last To Know” y escarceos con la balada en el tema que cierra el disco “Lottie Mae”, que hasta los cafres tienen corazón. Eso sí, muchas papeletas para que el concierto que puedan ofrecer sea más sudoroso y descargante que un partido de squash, que yo una vez jugué, fíjate.
http://www.ipunkrock.com


http://www.theriverboatgamblers.com/
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[Zombs]

http://www.handheldonline.ca/hh04/web/logo_hh_ontan.gif

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Formed from late elementary school dreams; Handheld is a five-player team not to be missed. Driven by speed, dual lead guitars, and a live show to write home about, Handheld strives to impact audiences of all ages in all venues. “Hands-on-music,” is an expression coined by the band to help convey their musical concept and vision, and allows listeners to grasp their music and make a personal connection to it, not just listen to it. Handheld can be described as a well-blended mixture of technical guitar riffs, melodic harmonies, and lightening fast drum fills and bass runs, with the occasional breakdown and gang vocals.


This is the fourth release from Canadian fast punk rockers - HandHeld. Six tracks of hands-on-music... A well blended mixture of fast duel guitar riffs, melodic harmonies, and killer drum fills and bass runs.

http://www.graynoise.net/reviews/individual/Handheld/Handheld_themarkwornerep.jpg

Handheld.-.The.Mark.Worner.EP-(192k)By.eXe.eXe(SharePunk.tk).ace

Handheld - The Mark Worner EP -2004

1. Diary
2. Corrugated Ideas
3. Freeport
4. Dignified Response
5. Last Step
6. No Footsteps To Follow


http://www.handheldonline.ca/hh04/web/left_photo_20.jpg

Another pop punk cd. My first conclusion was, "...oh boy, I am *like* totally excited for this cd," then I listened through it because I again said to myself, "..how bad could it be for my ears to trudge through another pop-punk cd, after-all it is only six songs." So, I decided to lift one finger and then depress it again to move the play button. I became mildly amused as the first track "Diary" began to play. The next song "Corrugated Ideas" produced a smile. This pattern of mild emotional boosts continued throuought the entire cd and, by the time I had reached the final track, "No Footsteps To Follow" I was overcome with very sentimental memories. These weren't memories of my childhood, playing with my favorite toys or my first kiss. No, these were memories of how things used to be; memories of my first steps into the world of punk rock. The Mark Worner EP made me remember the raw energy and interest that I used to have in the music.

I am older now and I have definitely been through a lot since the first days of my teen years, as anyone has, that is obvious. I have listened to countless bands proclaiming to be the best and most excellent at what they do. I have heard bands of which do not proclaim to be anything and have chosen the most modest of roads to promote themselves. Eventually, I stopped reading bios because they are usually full of those "self-proclaiming" words of bullshit. I understand though, those bands do what they do and I'll continue doing what I do. That is all aside from the point but at the same time bolsters what was previously said, my tastes have changed and there usually isn't much that can move me from the tastes that I have acquired.

I will admit that this isn't the type of band that I would usually listen to. There is something about them, though, that moves me. There is something in Handheld that holds a bit of my past. It is these memories that transcend all that I have grown to know; all that I have grown to feel. I am reminded of myself playing in a band similar to this one- a modest three-piece, belting out Face To Face-like and Screeching Weasel-esque tunes, dedicated to what we loved as fifteen year old kids.

I have concluded that I enjoy the band and their reminiscent similarities to Millencolin. I enjoy the rough, sometimes scratchy hope that they exude. I enjoy the memories that this band brings me and I can say, without a doubt, that I enjoy lot's of the music that is sent from Ontario, Canada.

There is nothing stopping me from listening to this cd again and again. In fact, I think I might enjoy listening to it two or three times in the same day (which doesn't happen very often). Keep on rocking!

http://www.handheldonline.ca/
http://www.handheldonline.ca/hh04/photos/2004/2004_5b.jpg

[Zombs]

http://www.rockzone.com/reviews/images/thebouncingsouls-doyouremember.jpg

http://www.tonystuff.co.uk/images/souls-crowdsurf.jpg

 
  ³                                                                     ³
  ³   The Bouncing Souls - Do You Remember? (15 Years of...)            ³
  ³                                                                     ³
  
  ³ "The chicks, the rock 'n' roll, the drugs, the heaven and hell,     ³ 
  ³ sleeping in vans and expensive hotels...the music, the noise, the   ³ 
  ³ ridicule, the love...the endless road and the beautiful night...    ³ 
  ³ the destruction and anger and love that will always prevail...all   ³ 
  ³ the shows and people by the thousands who were a part of it all...  ³ 
  ³ the latenights and the long hours of headaches over keeing this     ³ 
  ³ band going...all the friends who kept us alive, the meals on the    ³ 
  ³ floors we slept on...all the bad songs and bad haircuts and the gas ³ 
  ³ money that saved the day...all the lessons we learned and all of the³ 
  ³ endless inspiration we give and recieve...all the adventures and the³ 
  ³ determintaion to live a life driven by fun and the courage to follow³ 
  ³ it...this is our story, do you remember?" - Greg Attonito           ³ 
  ³                                                                     ³ 
  ³ Culled from over 400 hours of archival footage shot and collected   ³ 
  ³ by lead singer Greg Attonito, and over 50 hours of interviews with  ³ 
  ³ the band and their extended family of friends, "Do You Remember?"   ³ 
  ³ (approx. 100 min.) is the story of the good times and the bad,      ³ 
  ³ and the music that was born out of both.                            ³ 
  
  ³ Size..........: 699 MB                                              ³
  ³ Running Time..: 1:40:49                                             ³ 
  ³ Source........: Double DVD                                          ³ 
  ³ Video codec...: Xvid                                                ³
  ³ Video bitrate.: 801.79 kbit/s                                       ³                         
  ³ Audio codec...: mp3                                                 ³
  ³ Audio bitrate.: CBR 160kbit/s                                       ³ 
  ³ Aspect Ratio..: 4:3                                                 ³ 
  ³ FPS...........: 29.970 FPS                                          ³
  ³ Resolution....: 368 x 272                                           ³
  
  ³ This double DVD is really worth your money. So if you like The      ³
  ³ Bouncing Souls, go and buy it. I didn't rip everything, only        ³
  ³ the documentary, so there enough you haven't seen yet.              ³
  ³                                                                     ³
  ³ The DVD contains:                                                   ³
  ³ * Feature Length Documentary                                        ³
  ³ * A 50 song "set list" of Live Footage                              ³
  ³ * Chapter selection                                                 ³
  ³ * Animated menus                                                    ³
  ³ * Over an hour of deleted scenes, never-before-seen studio,         ³
  ³   tour and archive footage, and a behind-the-scenes look at the     ³
  ³   "Gone" video                                                      ³
  ³ * Total running time of the double DVD is nearly 6 hours!!!         ³
  ³                                                                     ³
  ³ For more info go to :                                               ³
  ³ http://www.chunksaah.com/php/merch/a_souls_dvd.php                  ³
  ³ Chunksaah is The Bouncing Souls own recordlabel, so none of your    ³
  ³ money is going to be wasted by big companies.                       ³

http://www.tonystuff.co.uk/images/souls-bryan2.jpg

The.Bouncing.Souls.-.Do.You.Remember.Xvid.BRuL.2004.avi
The.Bouncing.Souls.-.Do.You.Remember.Xvid.BRuL.2004.nfo

[Zombs]

http://www.5bugs.com/pics/logshirt.jpg

http://www.handlemedown.de/images/reviews/5Bugs.jpg

5.Bugs.-.To.No.One.Else.Except.You(VBR)By.eXe.eXe(SharePunk.tk).ace

5 Bugs - To No One Else Except You - RP-Punkrock (04/2004)


01-45 seconds of kick ass
02-girl from next door
03-until next timer
04-anyway
05-i knowr
06-to no one else except your
07-waiting
08-day without you
09-u and mer
10-5 bucks to happiness
11-one hit wonderr

http://www.5bugs.com/pics/bugs2003_full.jpg

So lang ist es noch gar nicht her, dass die 5 BUGS mit NO ONE´s CHOICE bei mir in Form ihrer gemeinsamen Split auf meinem Schreibtisch lagen und nun veröffentlicht der Fünfer aus Berlin über RP-Punkrock auch schon sein Debüt Album namens „To No One Else Except You“. Nachdem die drei Songs der Split-CD bereits einen anständigen Eindruck hinterließen, durfte man auf ihr Album gespannt sein und der Name „RP-Punkrock“ steht ja nun auch schon für eine gewisse Qualität. Diesen Erwartungen wird die Band aber wie ich finde auch gerecht, denn die Songs können durchaus mit internationalen Standards konkurrieren und die überaus fette Produktion unterstreicht dies noch einmal nachdrücklich. Während der Opener „45 Seconds of Kick Ass“ seinem Namen ohne Frage gerecht wird und steil nach vorne geht, tendiert der Rest des Albums eher in die Richtung die vor Jahren Bands wie NEW FOUND GLORY und Konsorten vorgaben. Melodischer Punkrock, dessen schnellere Passagen immer wieder von langsameren durchkreuzt werden und der Gesang stellenweise mehrfach vorgetragen wird. Dabei versteht es die Band aber relativ problemlos nicht in den Belanglosigkeiten eines wohl ohne Frage überfluteten Genres zu versinken, sondern schafft eigentlich zu jeder Minute das was einigen Großen in der jüngeren Vergangenheit abhanden gekommen ist. Die Melodien sind zwar auch hier sehr eingängig, doch langweilen sie nicht nach einigen Durchläufen und man hat auch noch nach einer gewissen Zeit Spaß an diesem Album, wenn einige Songs nicht sogar noch nach dieser Zeit zulegen können. Besonders gut gefallen mir dabei „Until next Time“ oder auch „I know“, bei denen es textlich wie eigentlich beim gesamten Album um das weibliche Geschlecht und die daraus folgenden Zwischenmenschlichen Beziehungen geht. Mit ihrem Debüt dürften sich die 5 BUGS auf jeden Fall viele Freunde machen, sofern sie dies nicht schon auf ihren zahlreichen Konzerten getan haben und in den nächsten Wochen und Monaten stehen auch etliche Konzerte im Terminkalender der Band. Ein wirklich achtbares wie hörenswertes Album ist „To No One Else Except you“ geworden, zwei Kostproben davon gibt es auf der Homepage der Jungs.

http://www.5bugs.com/
http://www.5bugs.com/pics/bugs2002_full.jpg

[Zombs]

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Rich.Kids.-.gHOST.oF.pRINCES.iN.tOWERS(192k+Covers)By.eXe.eXe(SharePunk.tk).ace

Rich Kids - gHOST oF pRINCES iN tOWERS Pinegam 1978 (LP) - Cherry Red Records 1999 (CD)

01. Strange One (Matlock/New) - 4:26
02. Hung on You (Matlock) - 2:57
03. Ghosts of Princes in Towers (Matlock/New) - 3:34
04. Cheap Emotions (Matlock/New) - 4:04
05. Marching Men (Ure) - 3:53
06. Put You in the Picture (Ure) - 2:45
07. Young Girls (Ure) - 2:50
08. Bullet-Proof Lover (Matlock/McDowell) - 3:11
09. Rich Kids (Matlock) - 2:58
10. Lovers and Fools (Ure) - 2:35
11. Burning Sounds (Matlock/New) - 3:44
12. Empty Words (Matlock/New) - 3:03
13. Here Comes the Nice [live] (Lane/Marriott) - 3:00
14. Only Arsenic (Matlock) - 4:48

http://www.midgeure.com/homeland/richkids2.jpg

In Februray 1977 - because he liked the Beatles - Glenn Matlock (bassist) was pushed out of the Sex Pistols.
The original idea for a new band, including Glen, had come from Jimmy Norton who was a good friend of his. They had also been at St Martins College of Art(London) together in the early 70's.
It was rumoured as early as January '77 that Jimmy was discussing with Glen the idea of putting together a group under the working title Rich Kids. The title was an obvious one given the, then, current spate of pseudo-working class, drop out, squatting type bands already on the scene. Lets get a band together who are neither over the top nor saddled with chips on their shoulders.

During March Glen auditioned madly for band members and acquired Rusty Egan on drums and guitarist Steve New. By this time Jimmy Norton had grown disenchanted with his idea and moved on to pastures new, thus leaving a threesome consisting of Glen, vocals and bass and Rusty and Steve. Glen asked Midge Ure to join. Midge, still a few years off Bob Geldof and greater things, depending on which way you look at it, had originally been offered the job of lead vocalist with the Sex Pistols but had declined. He joined the Slik, a sort of Bay City Rollers without tartan who were so well packaged well-hyped and well over the top that they burned themselves out. The group folded so when Glen Matlock came calling Midge immediatly said yes.

read more http://punkmodpop.fr...ichKids_pic.htm

http://punkmodpop.free.fr/RichKids_pic.jpg

[Zombs]

http://www.fandangorecs.com/adamwest/logo1.gif

http://www.metallifits.com/aw1.jpg

Biografie
"You wanted the best and you got it, the hottest band in the land . . . Adam West!" 1 January 2003 If you recognize where that line is from, then you know what time it is. Adam West is a rock-n-roll band, period. Take Iggy & the Stooges, Black Sabbath, The Misfits, The MC5, KISS, AC/DC, and mix in the best 60s garage punk and you´ve got Adam West. Can ya dig it? Adam West has won the 2001, 2000, 1999, and 1998 Washington Area Music Association Wammie Award for Best Hard Rock Group; singer Jake Starr won the 2000 and 1998 Wammie for Best Hard Rock Vocalist. That´s six awards in four years! First things first . . . Adam West is soon to release their 4th full-length rock-n-roll opus on People Like You Records and return to Europe in September/October 2003 for a full-scale European tour. Now that that´s been said, here is some recent history: Adam West released their 3rd full-length album, the rock masterpiece Right On!, on People Like You Records (Europe) in September 2001. Right On! was released in February 2002 by the Telegraph Company in the USA. Myrmecoleo Records in Japan will release Right On! with five exclusive live bonus tracks soon. In Summer 2002, Adam West completed their 3rd headlining tour of Europe. To promote the tour, People Like You Records released a 20-song collection from the years 1993-99 called Ready Steady Adam West! A second companion 20-song collection from the years 1999-2000 called Hi-Balls Are Rolling! will be released soon by Twenty Stone Blatt Records in Scotland. Adam West was formed in the early 1990s, when singer Jake Starr decided to form a 60s garage band. Adam West started gigging around Washington, D.C. and soon built up a local following. Jake immediately started his own label, Fandango Records, and started recording and releasing Adam West material . . . totally D.I.Y. Their first single in 1993 "I Get a Sensation" was a rave-up garage slice and got Adam West international distribution by Get Hip Distribution. This record began the record collector´s nightmare that is the Adam West discography! As of Summer 2002, Adam West has released over 20 7" singles, one 10" EP, five CDs, and has made over 20 high-profile appearances on various compilation CDs. Check their discography and be scared . . . be very scared! Through all this recording and mayhem, Adam West has toured the East Coast, West Coast, Midwest and as mentioned earlier, all over Europe three times. They have rocked with some of the best bands in the genre: Hellacopters, Gaza Strippers, BellRays, Zen Guerilla, Electric Frankenstein, Candy Snatchers, B-Movie Rats, American Heartbreak, Groovie Ghoulies, D-Generation, Mud City Manglers, Silver Tongued Devil, Muffs, to name a handful. They´ve also appeared on four local cable TV shows (including two high-profile appearances on MegaHertz), played local festivals like the Taste of DC, and have gotten frequent play on local Washington-area radio (WHFS-99.1 FM, WMUC 88.1 FM, and DC-101 FM), as well as national college radio. Whew! If all this wasn´t enough to read, the REAL story is on their kick-ass website. There is where you´ll find all the accolades, scorching reviews, and killer soundbytes. So what are you waiting for? Fire up that web browser and get cracking! Adam West is Jake Starr (throat), Steve (guitar, bass), and Ben Brower (drums, guitar).

Quelle: http://www.fandangor...amwest/hist.cfm

http://www.fandangorecs.com/adamwest/grassyknoll.jpg

Adam.West.-.Grassy.Knoll(EP)(192k+Covers)By.eXe.eXe(SharePunk.tk).ace

Adam West - Grassy Knoll - 2000 - Maama Jaama Records


01 - Cough, Cool
02 - Love Like A Stone

Adam West released their first fan club single in September 1993 on Fandango Records in Washington, D.C., 3 months after their debut 7" came out. It was a one-sided 7" with a cover of the Misfits ultra-rare first single "Cough/Cool." Recorded in one take by the original line-up of Adam West, "Cough/Cool" was to shock the underground music scene since no one had ever covered this Misfits song (and as of April 2000, no one has since!). This single was pressed in a strictly limited pressing of 108 copies on green vinyl. One hundred copies came with a simple black and white insert with the band name, members, and Fandango Records address. The remaining 8 copies had a mock sleeve of the original Misfits "Cough/Cool" sleeve done up by Adam West singer Jake Starr. These were passed around to band members and friends. Needless to say, the single sold out in a matter of weeks after one advertisement in MaximumRocknRoll magazine. Last heard, the single fetched $60 in an Australian record auction.
What you have in your hand is an unauthorized "reissue" of Adam West's "Cough/Cool" single backed with an unreleased take of an original song, "Love Like A Stone." Adam West re-recorded "Love Like A Stone" in 1994 for inclusion on the "Capitol Crisis" compilation CD on Cyclops Records. This original version of the song is right outta the archives, brother!
So dig it: This single is limited to 300 copies, tripling the original pressing. Maama Jaama Record is proud to release this rock-n-roll gem! Glenn Danzig would be proud!
-- Reston J. Burgess, Rock Critic



http://www.timebomb.metropoliglobal.com/discos/portadas/adamwest-righton.jpg

Adam.West.-.Right.On!(VBR.+.Covers)By.eXe.eXe(SharePunk.tk).ace

Adam West - Right On! - People Like You Records 2001

01 - C'mon And Bludgeon Me
02 - Cut Loose
03 - Blueblood
04 - Swagger
05 - Hot Chocolate
06 - Flower, Fist And Bestial Wail
07 - Piece Of Ass
08 - Juggernaut
09 - Gentlemen's Evening
10 - Fire In My Bones
11 - Shield Your Eyes
12 - Sultry Motherfucker
13 - Erotic Neurotic(EU bonus track)


Sí, sí, sí. Una de las bandas más prolíficas del momento vuelve a la carga con un Lp completo, esta vez editado por el incipiente y machacón sello alemán People Like You. La propuesta de Adam West descarga adrenalina, cerveza, tugurios de mujeres, camioneros, moteros y demás alimañas con un envoltorio de base Punk Rock aderezado con buenos e intensos toques Hardrockeros e incluso algún desvarío Hardcore. Procedentes de Washington DC, compararles con el resto de bandas de ese lugar sería ponerme en un aprieto en el que no quiero verme. Nada que ver con Dischord ni sus secuaces Emo-raros-brasas, que lo sepas. Aquí hay puro 'punkrockandroller' al 100%, voz cazallera y macarra que han hecho a su frontman, el ínclito Jake Starr, convertirse en el mejor cantante Hard Rock en el area de Washington. A ratos más Stooges, a ratos más Kiss, nunca virtuosismo petardo. El tema que abre el disco ya es una buena señal de lo que continúa, "BlueBlood", la más Hardcore, el potentísimo estribillo de "Hot Chocolate" y una versión de Saints para acabar la rodaja digital. Cuando pulses stop en tu aparato te va a quedar el cuerpo como si te hubiesen metido una buena descarga eléctrica por donde tu te sabes. Y no es para menos.
Bubba Smith

So lautet zumindest die Eigendefinition. Jedem ist Adam West ein
Begriff. Er war der wohl weltberühmte Schauspieler der 60er Jahre Serie
Batman. KAWUMM.
ADAM WEST ist aber auch eine Rock N´Roll Band. Eine Prise von BLACK
SABBATH, THE MISFITS, The MC5, KISS und AC/DC und dazu noch ein
Scherflein des besten 60er Jahre Garagen-Punk (hier lasse ich jedem
offen, welche Zutat er hier verabreichen würde) und es entsteht ADAM
WEST. Irgendwie nachvollziehbar?
ADAM WEST klingt schroff. Sie spielen eine Art less-cock-more-rock Punk.
Sie sind schnell und verwenden minimalste Akkorde. Ihre Songs basieren
auf Blues-Schemen mit zugefügten Hardcore Elementen. Appetit?
Das Ziel, welchem die neue CD "Right on" nahe kommen soll, wurde von
Frontmann Jake Starr schon bei der Gründung in den frühen 90ern klar
festgelegt. Er wollte (siehe oben) eine 60er Garagen Band. Und er hat
sie geformt. Ihre erste Single ("I get a sensation") erschien 1993.
Mittlerweile haben sie schon 15 Singles veröffentlicht - auf dem von
Jake Starr gegründeten Label Fandango Records.
Das Album "Right on" hat die Garage nie verlassen. Die Band selbst auch
nicht. Alles in allem nicht uninteressant, vom Sessel hat´s mich aber
nicht gerissen.

http://www.fandangorecs.com/adamwest/promo3.jpg

Adam West has been doing cool High-Energy-Rock-n-Roll for a long time, and it's about time that people starting to recognize that. The beginning of "Right On!" is fantastic. "C'mon And Bludgeon Me" blows out your ears and there is nothing to do except keep 2 fingers up in the air, turn up the stereo, and yell the chorus. But not just the opener is a highlight on this record. "Swagger" combines a great AC/DC-riff with a Danzig-melody and takes it home with a tough and macho line like "You want a reptile? I'll give you dinosaur!" Some songs continue on like the sexy-shaking "Piece Of Ass", the party-rock tune "Gentleman's Evening" or "Erotic Neurotic" (originally by The Saints); Adam West gives the song the respectful ode to the time period of the mid-70s while updating it to today. On "Right On!", Adam West steps easily between Old-School-Rock and -Punk á la MC5, Stooges, Misfits or Devil Dogs and combines it with the sound of new heroes like Gluecifer or Backyard Babies while not forgetting to give the sound their own personal note. And the master of the voice Jake Starr didn't get his 3 awards as "Best Hard Rock Vocalist" from Washington, D.C., without definite reason!


http://www.fandangorecs.com/adamwest/
http://www.fandangorecs.com/adamwest/promo5.jpg

[ToNiToWeR]

Aqui os dejo el link de la cancion que Disidencia hace de los Clash del tema Police on my back, de momento solo hay 1 fuente, y no se conecta mucho, y al parecer, tiene la tira de archivos compartidos, asi que a ver si entre todos conseguimos descargarlo. Este tema ira incluido en un tributo a los Clash que saldra proximamente a la venta, si no ha salido ya.

:bye1:

[ToNiToWeR]

ups, con el sueño se me olvidaba dejar el link :P
Disidencia - Police on my back

[Zombs]

http://www.area-23.net/html/disco/pics/cover-test-facility.jpg

Area 23 - Test Facility(EP)(VBR)By eXe.eXe(SharePunk.tk).ace

Area 23 - Test Facility EP - 2004 May - Kickloch Music

1- it´s like conspiracy
2 - save my day
3- high handed
4- naivity
5- your friend
6- words they say


Check out this 4 piece punk band from Bunde, Germany. They kick ass. Buy the EP when its released in May, or i'll have to stab you in the ass.(I'm watching you....YES YOU!)

Te gusta Bad Religion? ... Prueba esto


http://www.area-23.net/html/index.htm
http://www.area-23.net/html/bio/pics/band.jpg